The Hiss Quarterly Vol. 5 ~ Issue 4
I Am The Walrus koo koo ka-choo
Rear View Mirror

HOW MY TEETH CAME TO BE THIS WAY AND THE CHOICES I MADE BECAUSE OF THEM

Have little to do with my wife’s obsession with snakes.
She turns off the heat a few hours before bedtime waking me early with a tired rhythm
          of cold blood.
Some mornings cold wipes the floor with Saran Wrap and she remains undercover till
          noon.
Other times she unhinges herself from bed in a slow stretch of wills to let in the sun.
There is always enough stored here and there to fix everything broken, but there is also
          school, a studio to make music, a need for a new boiler and a roof and my
          promise to tuck point this summer.
When she finds her fingers are warm enough to bend, and her wrists, and her elbows,
          she bends her long legs and tells me to add earthquake protection to our long list
          of bills.
As frightened as she is of snakes, they are always around her—at the Katie Trail where
          we walk, in the bushes near the restaurant where we eat, near the opening of our sub-basement.
Sometimes late at night, her warm body near, I know her heat as the grip of a   
          constrictor.
She owns a python’s strength and sometimes a rattler’s sadness, and still she loves me
          regardless of my teeth.
I try not to find myself in tooth loosening moments, but they find me, one loose tooth at a
           time.
See this missing tooth? That happened when a gang of teenagers with one or more
          guns jumped one of my students.
He is still alive and for his life, I donated that tooth.
I can explain what happened to the rest, but it is only more of the same.
Have you ever seen someone allergic to cats? Then you know how the cat always
            welcomes them into its household.
That is the way of snakes and my teeth, my wife and my outrage, how sacrifice really
            does describe all of us. 

© Michael Brownstein

© Bent Objects
Terry Border
GHOSTS IN FIVE PART HARMONY

HOW TO GET A GHOST TO MOVE OUT OF YOUR HOUSE
 
Do not bite a ghost. They are chalk
And have no taste. You can add sage, salt,
Pepper, even garlic. It will make no difference.
Do not clean everything everyday.
Ghosts are blindsided by dust in light.
They cannot stand camouflage or invisibility,
But remember to remove all of the cobwebs.
Ghosts are collectors of spiders and flies.
If these rules are not enough,
Go on living. Forget about them.
They will move someplace else.
Ghosts have an obsession to be remembered.
 
SLEEPING WITH GHOSTS
 
Some Sundays they dream in nightmare
And other nights dark and light,
 
A shimmer of shadow against white walls,
Cold fingered and cold breath,
 
A simple outlook and a simple memory
In need of a following.
 
They are generous creatures by habit
Willing to share covers, curtains, and wind
 
But never sheets or pillows.
 
YOU CAN STOP A GHOST AT ITS BIRTHING
 
Place a mask over the dead man’s face.
Leave it there for others to find.
No matter what do not turn back,
But listen for the thunder.
Always listen for the thunder.
 
A ROOM FOR A GHOST
 
The dog always knows when something is not known,
The room empty of everything but thought,
A wisdom to shade—heat—an August evening.
This is the house of ghosts. A dog does not live here.
Nor do small children, new calves, kittens, 
A parakeet under the fabric over its cage.
We are the brave species and we have to understand
Living is of consequence. You cannot forgive
What you cannot comprehend. Leave
The shape of dust to the sun and air, the fog
In the mirror to its weight and substance,
The change in temperature to a breaking down
Of beams, hardwood flooring, the sudden
Curve of wall covering in an empty space.
 
HOW TO EAT A GHOST
 
Hunger has nothing to do with it.

© Michael Brownstein


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